If you plan to create film output from a sequence,you may want to add a counting leader. A counting leader helps aprojectionist verify that audio and video are working properly andare synchronized. You can create and customize a universal countingleader to add to the beginning of a project. The leader is 11 secondslong.
- In the Project panel, click the New Item button atthe bottom of the Project panel and choose Universal Counting Leader.
- In the New Universal Counting Leader dialog box, setWidth, Height, Timebase, Pixel Aspect Ratio, and Sample Rate tomatch these same settings for the sequence in which you will usethe counting leader. Click OK.
- In the Universal Counting Leader Setup dialog box, specifythe following options as needed:
Specifies a color for the circular one-second wipe area.
Specifies a color for the area behind the wipe color.
Specifies a color for the horizontal and vertical lines.
Specifies a color for the double circles around the numeral.
Specifies a color for the countdown numeral.
Displays a cue circle in the last frame of the leader.
(Also referred to as a two-pop) Plays a beep at the two-second mark.
Plays a beep at the beginning of every second duringthe leader.
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You can customize a counting leader clipby double-clicking it in the Project panel.
You can create a one-second clip containingcolor bars and a 1-kHz tone, as a reference for calibrating videoand audio equipment.
- In the Project panel, click the New Item button atthe bottom of the Project panel and choose Bars And Tone.
- In the New Synthetic dialog box, set Width, Height, Timebase,Pixel Aspect Ratio, and Sample Rate to match these same settingsfor the sequence in which you will use the bars and tone. ClickOK.
Note:
Some audio workflows must be calibrated at a specific tone level. The default level of the 1-kHz tone is -12 dB referenced to 0 dBFS. You can customize the tone level to match your audio workflow by choosing Clip > Audio Options > Audio Gain with a clip selected. If you select the bars and tone clip in the Project panel, you set the default gain level for new clip instances. If you select a clip in a Timeline panel, you change the level for that clip instance only.
Franklin McMahon created this video tutorial on synthetic media: transparent video, color bars and tone, and color matte on the Layers Magazine website. Fortnite xbox one compatibility.
Premiere Pro has HD color bars that comply with ARIB STD-B28 standard for calibrating video output. Synthetic media also include a 1-kHz tone.
For HD bars and tone, do the following:
- Choose File > New > HD Bars and Tone.
- A dialog launches with settings based on the existing sequence. Change settings, or click OK to accept the settings.
Empty areas of a track appear black if no other visible clip areas are present on underlying video tracks. If necessary, you can also create clips of opaque black video for use anywhere in a sequence. A black video clip behaves as a still image. To create a clip of a different color, use a color matte. (See Create a color matte.)
- In the Project panel, click the New Item button atthe bottom of the Project panel and choose Black Video.
- If necessary, in the New Black Video dialog box, setWidth, Height, Timebase, and Pixel Aspect Ratio to match these settingsfor the sequence in which you will use the black video clip. Bydefault, the duration of the new clip is set to five seconds. ClickOK.
You can change the default duration of black video clips and other still image clips in the General pane of the Preferences dialog box. For more information, see Change the default duration for still images.
- In the Project panel, click the NewItem button atthe bottom of the Project panel and choose Color Matte.
- In the New Synthetic dialog box, set Width, Height, Timebase,and Pixel Aspect Ratio to match these settings for the sequencein which you will use the color matte. Click OK.
- In the Color Picker, select a color for the color matte,and click OK.
Transparent Video is a synthetic clip just like Black Video, Bars and Tone, and Color Matte. It comes in handy when you want to apply an effect that generates its own image and preserves transparency, such as the Timecode effect or the Lightning effect. Think of Transparent Video as 'Clear Matte.'
You cannot apply just any effect to Transparent Video—only those that manipulate the alpha channel. For example, these are some of the effects you can use with a transparent video clip:
Timecode
Checkerboard
Circle
Ellipse
Grid
Lightning
Paint Bucket
Write-On
- In the Project panel, click the New Item button atthe bottom of the Project panel and choose Transparent Video.
- In the New Synthetic dialog box, set Width, Height, Timebase,and Pixel Aspect Ratio to match these settings for the sequencein which you will use the transparent video. Click OK.
- From the Project panel, drag the transparent video clipto the highest track in a sequence, stretch it as far as you want,and apply an effect to it.
Some third-party lens flares and other effects thatcarry an alpha channel work with transparent video.
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